A photography blog that highlights commercial, editorial, landscape, art photography and iPhone photography.

Latest

Utah, Arizona, Colorado Landscape Shoot

For the next few weeks I’ll be on the road shooting in the southwest. Zion national park is first on the list. We got one of the very rare permits for The Subway. This is a very unique canyon with year round flowing water. After spending a day there, we head to Escalante National Monument to get to Neon Canyon and the Golden Cathedral. The photo opportunities look amazing. We will spend a couple days checking out a variety of slot canyons in the region before heading to the north rim of the Grand Canyon. Toroweap is at the end of a 60 mile dirt road and that will be our first GC photo op. Then on to Page, Arizona for the slot canyons around Lake Powell for a couple of days. Cedar Mesa with a hike through Mule Canyon to photograph ancient Anasazi ruins is our next destination. Colorado is the last leg of this portion of the trip with shoots at Crystal Mill and the Maroon Bells in Aspen. Jackson Hole, Grand Teton National Park and Yellowstone National Park will the final shoot locations.

Here is a iPhone shot taken near Green River, Utah.

20110919-103943.jpg

Black and White For Sports Photography

Generally speaking, showcasing sports images in black and white can suck dead air. There are a few exceptions where the sport is more visceral such as boxing or has an elegant landscape appeal like climbing. For most other sports it’s hard to really get the drama without color.

While editing a shoot from the other day, I came across a windsurfing action shot of Tyson Poor where B&W works. Later I did a portrait of him and converted it. In both cases I think the black and white only adds to Tyson’s power. What do you think?

© Jock Bradley 2011 - Tyson Poor windsurfing on the Columbia River Gorge near Hood River, Oregon.

© Jock Bradley 2011 - Tyson Poor

The Best Photo Printer

We spent a lot of time and even more money investing in an Epson 4800 printer a few years ago. Getting our ICC profiles so that what we saw on the monitor would look like the final print took time, ink and paper. All costly items. The results that we got were excellent and we still have a number of the prints hanging. That said when you have to replace the ink for this printer, it costs over $700.  A few years ago when faced with doing a small number of prints for an exhibit, we were faced with the dilemma of  replacing the ink cartridges or just see what was available online. Since the nearest printing labs are an hour away, the fact that we were very busy and really didn’t want the bother of going back and forth we tossed caution to the wind. We tried three different printing companies with the same test print. We used a regularly calibrated monitor and asked each company to print on glossy paper. We looked for color accuracy, shadow and highlight detail along with overall sharpness.

Of the three companies we tried, there was only one that came back with the test print that was even close to the monitor. Being anal about it, the print was a hair darker than what appeared on our monitor. Now to be truthful and fair, our test was not scientific. We did not examine the print in a Macbeth light booth. I suspect that would have solved the exposure difference. Since this test we have used Aspen Creek Photo exclusively. At every step, they have done gorgeous work. Their color is very accurate. Exposure looks like our monitor. Turn around time has been excellent. They have been very easy to work with. Also a key feature are their prices. Considering the beauty of the printing, their prices should be vastly higher than what they are. If I were to say that they are very reasonable, that would not be doing them justice. If I told you they were cheap, you would think that would translate into poor quality prints and services. So in order to do them justice – I’ll say that for what you get, the only thing that is cheap is their pricing. Everything else is boutique quality.

If you decide to try  Aspen Creek Photo, I would highly recommend using the Fuji Pearl paper. It has a metallic finish that adds a whole different dimension to the print. We now use this exclusively for all our gallery prints.

Windsurfing on The Columbia River

This morning was the best day of shooting windsurfing all year on the Columbia River. I hooked up with two JP-Australia Pro riders Tyson Poor and Brian Metcalf Perez for a dawn patrol. The wind was blowing close to 30 mph when we all arrived and put on the water. With all the smoke in the air from the Dollar fire on Mt. Hood the light was golden and gorgeous for several hours beyond normal. Tyson and Brian  teamed up  and both were hitting ramps in unison. It made for the some of the coolest footage that I’ve ever shot. Here is a B – roll shot to look at. This was taken with a Nikon 600mm on a D3. Exposure was  1/500th at f. 7.1 . Tracking was made easy with a Wimberly head on a carbon fiber Gitzo tripod.

©Jock Bradley 2011 Riders: Brian Metcalf Perez and Tyson Poor.

What’s The Best Camera?

One of the questions I get asked the most often is what kind of camera should they buy for their wife, kid, or themselves? It all depends on how they want to use it and there really hasn’t been model that I would be willing to say is universal acceptable until recently when Apple introduced the iPhone 4. For the past year I’ve been shooting with an i4 and now there are many times where it’s my go to camera of choice.

I’m not being facetious when I say this. Here is the deal: I currently shoot at least 60% of my personal work on my iphone. If I could shoot all my ideas and use it for pro shoots, I would do so in a heartbeat. Lest you think that I’ve drank the Koolaide – here are some of my reasons.

I always have it with me. No more fumbling around the backseat of the car, backpack, or camera safe for a body and lens. It’s way lighter in my backpack and takes up less room. The reproduction values are terrific. I’ve had a bunch of 20″x30″ prints made from it that are mind blowing. It’s shoots great hi def video. Some of mine has aired on commercial TV. You can shoot, photoshop and upload the image to Facebook or email in minutes. No more waiting until you get home or to your laptop. There are so many great apps that make it so easy to take great shots. The post processing apps are amazing as well.

That said there are drawbacks to the phone. Namely the zoom is worthless and is unusable because it makes the photo too noisy. It would be nice if the sensor was better in low light. Other than that – the i4 is pretty amazing. If it had a better low light sensor, great zoom, fast motordrive, a bluetooth strobe slave, then I would likely use it for most all of my pro shoots.

Some may choose to loft their noses above iPhone and want to argue that a phone can’t match a DSLR and that if you don’t shoot with a great camera, multiple lenses and use Lightroom or Photoshop, then the photos aren’t worth looking at. These are generally people that are more caught up in technique rather than creativity. Once certain technical characteristics (sensor, optics etc…)  have been eclipsed, then it really isn’t the camera that makes the shot all that much better.

So what do you want? A camera that is with you at all times and one that you can use to order out for Chinese food, surf the net, check your email or something that will become an expensive paperweight in a few years?

©Remington Bradley 2011

This image was taken by my 17 year old son Remington with my iPhone 4 in southern Colorado.

Shooting Lightning

Lightning photography can be problematic at best. It involves long shutter speeds, a place out of the weather, a sturdy tripod and head and a good location. The shot below was taken before the storm started dumping huge raindrops on my equipment. The lightning was all over the horizon which made it impossible to estimate where it would strike. I set my Nikon D3 on bulb at f11. and did approximately a five minute time exposure. In the foreground you can see the lights of the town and long tracer lines of the cars headlights.

Lightening storm over Hood River, Oregon

GoPro Glider Shoot

Recently I did a test shoot with my new GoPro HD Hero. I bought it so that I could mount it on the wing of a glider while it flew around the Hood River Valley. I teamed up with my friend Gary Boggs of NW Skysports to see how the GoProwould work. While it’s not a professional top end DSLR – I have to say that the results are astonishing. Its versatility is beyond compare. In this case, I used a suction cup mount on the end of the polished wing and had Gary fly around for a few hours. With nearly 2,200 images generated, I got many that are very publishable.

Gary Boggs of NW Skysports glides over Hood River, Oregon

Gary Boggs of NW Skysports soars over the Columbia River Gorge

The Critic

I was shooting a landscape of the Columbia River one morning last winter. My aussie shepherd “Roo” had been wandering around out of frame for most of my set up time. Just as I started to take photos, she moved to the edge of the frame and relieved herself. It just goes to show that no matter where you are, there is always a critic.

The Critic

iPhone Panoramic

One of the coolest ways to use your iPhone is taking panoramic pictures. There are many apps out there, some good, a few really good and most that just suck. You can either use one of these apps or you can stitch overlapped images together in post processing. This is my preferred choice. Here is one that I took of the Hood River valley this spring. It totals about nine high res images stitched together. Doing this is alarmingly easy.

 

iPhone 4 panoramic of Hood River, Oregon

Recent Architecture Shoot

I was recently hired by an architect to photograph a newly constructed home he designed. This home has now been featured in the Columbia Gorge Magazine. Go to pg.74

WordPress SEO fine-tune by Meta SEO Pack from Poradnik Webmastera